108

後知後覺後 Post-Perception

展演時間：2023/05/06 - 2023/05/21

開放時間：平日09:00-17:00 / 假日09:00-18:00

展演地點：國立臺灣科教館 7F 東側特展區

購票資訊：免費入場
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概念：
在資本社會與科技發展方興未艾的當今，技術革新持續擴充感知的疆界，高速且溢滿的提供人們經驗世界的方式。而科技、新媒體藝術亦在這波浪潮中乘風邁進，時代的步伐正如火如荼的朝向虛擬前行。身處感官紛亂的世代，在擁抱技術與便利生活之際，日常經驗的切片總在回望時倏然體現，使我們開始反思時代的課題與出口。

 

我們將「後知後覺後」視為一種立基於高速時代的感知練習與行動，核心概念分為三個面向：

 

後

將當代的現象視為基石，嘗試以緩慢的步伐來閱覽每個感知流動的時刻，期待瀏覽的節奏、感知的頻率能逐步發展出更多的可能與契機。「後」也如同諸多歷史流派之意，作為一種溫柔的抵抗與期待，一條岔路的節點與濫觴。

 

在知覺之後

在藝術創作與生產的進程裡，時常仰賴創作者自身的遠眺與回眸，梳理出更清晰的脈絡，如同後知後覺般，給予創作者與觀者更多元且寬廣的可能。在接觸新媒體與創作實踐的期間，我們深刻體認到媒介和速度帶來的「感知時間差」， 微妙的思緒如同浪花隨著時間在腦中不斷湧現。

 

光譜的可能

不追隨科技與速度的先鋒，搏取眼球也不再是首要任務。我們期盼回歸媒體藝術中關注媒介與議題的精神價值，向內梳理亦對外擴張，推進浪潮之際仍不忘回望。作品面向多元，感官體驗從高速飽滿到深刻幽微，部分作品關注於「資訊運算、虛實辯證與肉身性」；同時不乏觸及「 夢境、悖論與觀演關係」等面向。在影像作品方面，從影像敘事、生成方式到技術本質的思辨；裝置作品則包含「多聲道自製音響、燈光與空間裝置、偶動畫的實體模型」等；同時仍有以媒介思考與生命經驗出發的遊戲作品，持續探索空間、參與和體驗的可能。 身為千禧世代，我們生於類比與數位的節點，成長於網路起飛的年代，發展於數據運算的當今。展覽集結所學專業與創作能量奮力一出擊，「後知後覺後」指向屬於我們自身的時代輪廓，一種高速之下反思、辯證與前行的動態。

 

伴隨科技革新,感知的疆界不斷擴擴張,提供人們高速經驗世界的方式。在擁抱科技的便捷與速度之際,時有日常碎片散落在來去匆匆的日月之間,而在回望時倏然體現。

 

展覽將「後知後覺後」視為一種立基於高速時代的感知練習,分為「後」、「在知覺之後」與「光譜的可能」三個子題。期盼回應當今高速時代的表徵,為其提出更多元的感知節奏。透過梳理生命經驗與創作課題,體現感知錯落的微妙之處,聚焦科技/新媒體藝術在當今發展的光譜,在藝術與科技實踐的奮力一擊。

 

「後知後覺後」指向屬於我們自身的時代輪廓,一種高速之下反思、辯證與前行的動態。

Concept

In an era where capitalism and technological development are surging, innovation continuously expands the boundaries of human perception, rapidly and abundantly offering new ways to experience the world. Technology and new media art ride this tide, advancing vigorously into the virtual realm. As we navigate a generation marked by sensory overflow, the fragments of daily life often reveal themselves only in retrospect—prompting us to reflect on the pressing questions and possible directions of our time.

'After Perceiving the After' is positioned as a perceptual practice and mode of action rooted in this high-speed age, structured around three conceptual dimensions:

After

This dimension regards contemporary phenomena as a foundation and attempts to slow down the pace to observe each moment of perceptual flow. It explores how shifting rhythms and frequencies of perception can generate new possibilities. Much like various historical 'post-' movements, 'after' here becomes a form of gentle resistance and aspiration—a divergent point, a source of new beginnings.

After Perception

Artistic creation often involves both a gaze into the distance and a glance backward. This process, akin to realizing something belatedly, helps both artists and audiences trace richer and broader contexts. In working with new media and creative practices, we become acutely aware of the 'temporal gap of perception' brought on by media and speed—where subtle thoughts surge like waves through the mind over time.

Spectrums of Possibility

Rather than chasing the forefront of technology or competing for attention, this exhibition returns to the core spirit of media art—its critical inquiry into medium and subject. It simultaneously turns inward and expands outward, advancing with the waves without forgetting to look back. The works span a diverse range of sensory experiences—from the intense and high-speed to the subtle and introspective. Some explore 'data computation, the dialectic of virtual and physical, and corporeality'; others engage with 'dreamscapes, paradoxes, and performative relationships.' Video works examine narrative, generative processes, and the ontology of the medium; installations feature multichannel handmade sound systems, light and spatial environments, and stop-motion animation models. There are also game-based pieces grounded in media critique and personal experience, probing the possibilities of space, participation, and embodied interaction.

As millennials born at the intersection of analog and digital, raised alongside the rise of the internet, and now shaped by data-driven realities, we launch this exhibition as a culmination of our academic training and creative energies. After Perceiving the After outlines the contours of our generation—a dynamic of reflection, dialectic, and progression amidst high-speed transformation.

Accompanying technological advancement, the frontiers of perception continue to expand, offering ever-faster ways of engaging with the world. Amid this rush, fragments of daily life fall between the cracks, only to suddenly come into focus when we look back.

This exhibition frames After Perceiving the After as a perceptual practice grounded in a high-speed era, unfolding across three thematic axes—After, After Perception, and Spectrums of Possibility. It aims to respond to the characteristics of our fast-paced time by proposing alternative perceptual rhythms. Through the exploration of personal experience and creative inquiry, it reveals the subtle disjunctions in perception and charts the evolving spectrum of technology and new media art—a powerful gesture at the intersection of art and technological practice.

After Perceiving the After gestures toward a generational contour that is distinctly ours—a dynamic of contemplation, critique, and movement forward amid acceleration.