國立臺北藝術大學新媒體藝術學系111級畢業製作:《在那出現之前 Before Zero》
展覽時間:2026/05/08 - 2026/05/17
開放時間:週二至週五 09:00-17:00 / 假日09:00-18:00
展覽地點:國立臺灣科學教育館 東側特展區 7F+8F
購票資訊:免費入場
開幕表演:2026/05/09 (六) 14:30進場 15:00開始
IG官網:https://www.instagram.com/beforezero_nma
本屆北藝大新媒體藝術學系111級畢業展「在那出現之前 Before Zero」,匯集了多件創作共同關注那些「尚未」的狀態:在思維被語言包覆之前、在影像被意識捕捉之前,當世界未定形之際,我們期待透過光影、聲響、資料與敘事的交錯,邀請觀眾游移在那個「之前」,共同感受潛伏其中的細微線索。
我們透過未知來預留空間,既向後回望,也向前逼近,讓「臨界」不再是值與線,而能構成一個場域。在「那」出現之前,得以深刻感受蠢蠢欲動的未定狀態。
The 2026 Graduation Exhibition of the New Media Arts Department at Taipei National University of the Arts, Before Zero, gathers works that collectively explore this state of the 'not yet.' We return to the moment before thoughts are settled into words, before images are captured by consciousness. While the world remains unformed, through the interplay of light, sound, data, and narrative, we invite audiences to drift within the 'before', and trace the subtle clues lurking beneath.
By preserving space for the unknown, we look back while pressing forward, transforming the 'threshold' from a mere linear value into an expansive field. Before 'it' appears, we are able to deeply sense this stirring, indeterminacy state.
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開幕音像表演 Audio Visual Performance
Luca Bonaccorsi
來自義大利,導演,數位藝術家, 音樂家。作品探討科技新媒體間的人際關係,以及科技對日常生活狀態的影響。 近年定居臺灣,從事短片與錄像藝術製作,同時於各地進行多媒體音樂表演。
Sound and video artist from Italy. His works explore human relationships amid technology and new media and their effects on daily life. In recent years has relocated to Taipei, Taiwan, to pursue his artistic research through multimedia arts practice and live performances.
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電動橘皮(周喚、林子晴、凌歆慧、陳彥齊|Chou Huan、Lin Tzu-Ching、Ling Xin-Hui、Chen Yen-chi)
《The mission DLC》
既上次周喚、陳彥齊合作的版本一之後,這次與ネクタイ(nekutai)合作推出續集。以第三人稱雙人遊戲的形式推進敘事,並以Podcast電台主持人的身分帶領整體敘事結構與節奏。場景虛實交錯,最終導向一場對演算法控制的荒謬回應。
Following the first version created by Chou Huan and Chen Yenchi, this sequel is a collaboration with Nekutai. The narrative unfolds through a third-person two-player game, guided by podcast hosts who shape the overall storytelling structure and rhythm. Blending virtual and real environments, the work ultimately leads to an absurd response to algorithmic control, portraying a state of looping and escape within sound and image.
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Khula Huang黃懿文
獨立電子音樂人,國立臺北藝術大學新媒體藝術學系。
長期關注電子音樂現場演出(Live Set)、模組合成器設計與生成式藝術。近期試圖在數位與類比的邊界中,利用各式器材進行聲音解構與重組,創造獨特的聲響紋理。擅長處理無電腦配置展演,對 Eurorack 系統建構與聲音訊號路徑有著深厚實踐經驗。
Independent electronic musician and student at TNUA’s Department of New Media Art. Dedicated to live electronic performance, modular synthesis, and generative art, they explore the intersection of digital and analog media to deconstruct and reassemble sound into unique sonic textures. Expert in DAWless setups, they possess a deep-rooted expertise in Eurorack system building and audio signal flow.






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