國立臺北藝術大學新媒體藝術學系
110級畢業製作：新增註解 neo-annotation

本屆北藝大新媒體藝術學系110級畢業展「新增註解 neo-annotation」，將於今年4/18（五）在臺灣當代文化實驗場C-LAB 圖書館展演空間正式展出。展覽以現代生活中線上編輯工具的「註解」功能為靈感，將「註解」延伸為藝術行動，探索多元觀點和言論如何在科技和社群媒介的推動下共存與對話，引領觀眾在作品中，從多角度理解和重新詮釋熟悉的社會現況、意識形態與日常生活。

展覽旨在打破固有的觀看框架，透過跨領域的創作激發出新舊觀點的承接和累加。與傳統的文字註解不同，藝術作品成為學生們「註解」世界的方式，以視覺、聲音和互動等方式來對當前現象進行觀察、解構，並重新構築。展覽場域如同一個自由對話的空間，提供學生表達多重視角的機會，同時讓觀者與作品之間產生有機反應，進而激發新的思想連結。

The graduationexhibition of the Department of New Media Art at Taipei National University ofthe Arts, titled “neo-annotation” will officially open on April 18th at C-LABArt Space II. Inspired by the 'comment' function found in onlineediting tools that are prevalent in modern life, this exhibition expands theconcept of 'comment' into an artistic action, exploring how multipleperspectives and discourses can coexist and engage in dialogue through theinfluences of technology and social media. It presents new media art as amedium for annotation, encouraging viewers to understand and reinterpretfamiliar societal conditions, ideologies, and aspects of everyday life fromdiverse angles within the artworks.

The exhibitionaims to break traditional viewing frameworks, stimulating a blend andaccumulation of both new and old perspectives through interdisciplinarycreative practices. Unlike conventional text-based annotations, the artworksprovide students a way to 'annotate' the world around them, observing,deconstructing, and reconstructing contemporary phenomena through visual,auditory, and interactive forms. The exhibition space serves as a platform foropen dialogue, offering students the opportunity to express multiple viewpointswhile fostering organic interactions between the audience and the artworks,thereby sparking new connections and ideas.

開幕音像表演 Audio Visual Performance

張欣語 Chang Hsin Yu

互動、聲音、裝置創作者。喜歡實驗聲響。裝置作品經常探討聲音的空間性、發聲機制及訊號的轉譯，同時透過運作的規則呼應生活中的經驗感受及議題。音像表演習慣透過編寫程式創作，常用最單純的元素延展出豐富的可能性。

Chang Hsin Yu isan interactive, sound, installation artist based in Taiwan. His soundinstallation works discuss the spatiality, mechanism and translation of sound,and through the generative mechanism to respond to life experiences and issues.His audio/visual performances are usually created through programming andextend possibilities of the purest elements.

XTRUX

XTRUX關注數位身份帶來生活狀態轉變及科技引導影像邊界之擴延，擅長以遊戲引擎、動態捕捉、聲光空間雕塑、互動裝置、音像等元素進行開發，創造虛擬及沉浸式媒體的新形態展演形式。自2020XTRUX成立以來，開展了一系列科技與實驗電子音樂結合之沉浸式派對，強調跨領域藝術發生場域的置換，始終迎接多元產業及學科領域合作，拓展當代藝術之可能性。曾為臺北數位藝術中心駐館藝術家，創作及合作作品曾參與西班牙LEVFESTIVAL、林茲電子藝術節、文策院TCCF創意內容大會、C-LAB 聲響藝術節、C-LAB FUTURE VISION LAB、新能祭 SYNERGYFESTIVAL、GLOWBALL FESTIVAL。

XTRUX focuses onthe transformation of lifestyles driven by digital identities and the expansionof technology-enabled imagery. The team specializes in developing new forms ofvirtual and immersive media performances, utilizing game engines, motioncapture, sound and light spatial sculptures, interactive installations,audiovisuals, and more. Since its founding in 2020, XTRUX has launched a seriesof immersive events that blend technology with experimental electronic music,pushing the boundaries of interdisciplinary art and actively embracingcollaborations across various industries and disciplines to expand thepossibilities of contemporary art. XTRUX has also been an artist-in-residenceat the Taipei Digital Art Center and has created and collaborated on worksshowcased at numerous prestigious events, including the LEV Festival in Spain,the Linz Electronic Arts Festival, the TCCF Creative Content Fest, the C-LABSound Arts Festival, the C-LAB Future Vision Lab, the Synergy Festival, the GlowballFestival, and many others.

陳奕銓、廖炫棠 Chen Yi Quan, Liao Xuan Tang

團隊作品圍繞人類、科技與自我意識的討論，以探索人與當今數位媒介的關聯作為目標，勾勒對後人類世代的想像。我們專注於透過音像、互動、網頁與演算等技術，處理實驗音樂與影像、文本敘事、聲響表演等跨領域創作。

近期作品多使用「記憶」、「夢境」及「語言」做為主體，討論數位檔案與記憶的延展連結，並創造由文本及感官交織的聯覺敘事空間。透過手繪圖像、穿戴裝置及音像表演，以破碎的非線性敘事文本建構實驗、肉體、機械、記憶協同組合的夢場。

Our team’s worksrevolve around the discourse on humankind, technology, and self-awareness,aiming to explore the intricate relationship between humans and contemporarydigital media while envisioning the possibilities of the post-human era.Utilizing technologies such as audiovisual, interactive, web-based, andgenerative art, we focus on interdisciplinary creations that merge experimentalmusic and visuals, textual narratives, and sound performances.

On 'memory,''dreams,' and 'language' do our recent works center, investigating the extendedconnections between digital data/files and remembrance while creating anarrative space of synesthetic interplay where text intertwines with sensoryperception. Through hand-drawn visuals, wearable installations, and audiovisualperformances, we construct phantasmagoric realms where the experimental, thecorporeal, the mechanical, and memory converge in a state of fragmented,nonlinear narrative.